An arched entrance to a house with vines growing around the arch and spreading closer to the door. Two white benches stand on each side of the door with a step leading up to them from the ground. Windows and shutters are partly visible on either side…
View from the gate to the buildings on the crest of fall. Intricate iron grill work visible on a closed pedestrian gate and lamps on top of gate columns on either side of the road. Trees scattered throughout.
A white man stands behind a half-door with the top half open and the lower half closed. A boy sits on the threshold looking at a small cannon on the top step. Caption reads: "the entrance is blocked for the time being by a small boy admiring one of…
A variety of similar envelopes exist from J. L. Lovell’s studio, the Amherst Picture Gallery. An elaborate printed label boasts Lovell’s decades of work in Amherst.
A white man and a boy stand on a barge with the writing "DAVID M. HUTTON" painted on the back. Two other men sit on the barge, all looking at each other. A utility pole and two houses are visible on the other side of the canal. Caption on reverse…
A black man sits while a white man stands on a side of a creek, fishing. A fallen tree is partly in the water in the middle ground and other trees fill out the background.
A white boy is hoeing a garden with a girl standing near him holding a cat and watching. A house is in the background with some trees and shrubs in front and near the couple.
Two men plow a field with a help of horse. They stand slightly uphill from the perspective of the camera and the low light makes them almost appear as silhouettes.
Two white women sit on chairs outside a tall open door of a house. One of them is holding a parasol while the other has a second chair in front of her with a bowl. A man stands in between them. The caption identifies the village as La Chapelle.
Two fishermen are studying the fishlines that are piled up on the deck of the boat which is tied up to the wharf. Caption on back: "Looking over the fishline."