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A boy and a girl, identified as Margaret and Irving Johnson. The boy sits on a bench and the girl is kneeling next to him. They're holding open a book, both of them looking at it. A window is visible in the background, with a table in front of it and…

A woman stands rubbing her nose in an entrance of a passageway with the sign "321 Thimble Row" above it. A child is partially visible behind her looking towards the camera.

Pen and ink illustration of a woman walking out of a doorway with a sign above her that says, "321 - Thimble Row - 321"

An open entrance to a stone building with a coat of arms on top of it and a statue above it.

A white woman standing in an arched side entrance to a stone church with the tower partly visible on the right.

A side of a hill with a stone reinforced entrance of a cave closed with a wooden door. A sign on a tree says: "NO TRESPASSING" and a small cabin nearby has a sign "SODA WATER." Some benches are near the trees and the entrance to the cave.

Entrance to the house of Emily Dickinson, four steps lead up to a small landing with two columns on each side buttressing a second floor balcony.

A white man stands on rocks looking towards an entrance to a cave with an overgrown ground rising above it and bare trees growing around.

Three steps leading up to the double doors with a fan window and footed pilasters on each side of the door.

Stone cliff with multiple fissures and rocks that have fallen down from its face. Trees line the top and bottom of the cliff.

An arched entrance to a house with vines growing around the arch and spreading closer to the door. Two white benches stand on each side of the door with a step leading up to them from the ground. Windows and shutters are partly visible on either side…

View from the gate to the buildings on the crest of fall. Intricate iron grill work visible on a closed pedestrian gate and lamps on top of gate columns on either side of the road. Trees scattered throughout.

A white man stands behind a half-door with the top half open and the lower half closed. A boy sits on the threshold looking at a small cannon on the top step. Caption reads: "the entrance is blocked for the time being by a small boy admiring one of…

View of the entryway of Grace Episcopal Church covered with ivy.

A variety of similar envelopes exist from J. L. Lovell’s studio, the Amherst Picture Gallery. An elaborate printed label boasts Lovell’s decades of work in Amherst.