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&#13;
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&#13;
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&#13;
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                <text>View west on Main Street toward the center of town from about where the Dickinson Homestead is. Trees, hedges, and fences line the dirt sidewalks, and the road is unpaved and rutted.</text>
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&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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                <text>View west on Main Street toward the Amherst House hotel</text>
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Amherst (Mass.)</text>
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                <text>View up Main Street when it was a dirt road. The Amherst House hotel is visible in the background.</text>
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                <text>Jones Library Special Collections</text>
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                <text>Circa 1865</text>
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            <name>Rights</name>
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            <elementTextContainer>
              <elementText elementTextId="30914">
                <text>This digital file may be used for educational purposes, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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                <text>LOV1083</text>
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                <text>Carpenter</text>
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                  <text>Clifton Johnson (1865-1940) of Hadley, Massachusetts was an accomplished literary figure with some 125 published books and countless magazine and newspaper articles to his credit. A friend of William Dean Howells and John Burroughs, he was an acquaintance of many other late 19th and early 20th century authors and editors. Johnson was a self-styled folklorist, an illustrator, photographer, author, and editor.</text>
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          <element elementId="54">
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Horses -- Texas</text>
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                <text>A group of horses stand near each other on a dirt street in front of stone buildings which stretch on the left side of the road into the background.. A boy stands near the foreground looking at the horses.</text>
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                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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                <text>From the Clifton Johnson Collection</text>
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                <text>CJ1232</text>
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Men -- Massachusetts -- Lexington</text>
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                <text>The Lexington Minuteman monument, representing militia captain John Parker standing on a rock with one foot resting on a stone higher than the other and holding a musket. A man leads two horses to drink from the water by the foot of the statue.</text>
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                <text>Image from opposite page 172 in Highways and Byways of New England by Clifton Johnson, 1921</text>
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              <elementText elementTextId="72256">
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                  <text>John L. Lovell (1825-1903) was a professional photographer. He came to Amherst in 1856 and established the Amherst Picture Gallery, the first photographic studio in Western Massachusetts. In addition to studio work, Lovell was interested in scientific photography, accompanying an Amherst College astronomical team to California in 1882, as well as photographing Connecticut Valley geological features.&#13;
&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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                <text>W. D. Cowls team after the Blizzard of 1888</text>
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                <text>The horse team of W. D. Cowls rests in front of Frank P. Wood's Hotel and Livery (corner of Amity and North Pleasant Streets) after the Blizzard of 1888, accompanied by a large group of men and boys. A number of such teams were formed to clear the roads after the blizzard which occurred from March 11th to 14th.</text>
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                <text>Lacroix, Donald, 1899-1981</text>
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                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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