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                <text>John L. Lovell's "Amherst Photographer"</text>
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His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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                <text>View of the Lothrop house, later the Phi Delta Theta house, corner Boltwood and College Ave.</text>
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                <text>This digital file may be used for educational purposes, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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                  <text>John Martin moved to Amherst in 1967 and began teaching at the University of Massachusetts. He is an environmental designer, professionally registered in architecture and landscape architecture. His interests extend to photography, art, and environmental history, all of which he taught at the University.  He has been associated with various organizations in Amherst including the Historic Commission, the Planning Board, and the Emily Dickinson Museum. &#13;
&#13;
Anthony Martin (John's son, born in 1969) is a photographer and a teacher. He took up photography as a teenager after having watched his father take architectural photos of buildings and gardens. While his father often focused on the larger context of people interacting in social spaces, Anthony preferred to explore formal aspects of shape, pattern, and contrasts of light and dark. &#13;
&#13;
This collection consists of over 200 photographs, taken in the 1980s, of buildings, architectural details, landscapes, and community events in Amherst. Most of the photos taken by Anthony were taken at a time when he was enrolled in photography courses at Amherst Regional High School. The images reflect his attempt to reconcile conventional ways of seeing with those of the avant-garde and surreal.  The images captured by John reflect his interest in documenting landscape, architectural design, and community events.  Many of the photographs were used in an exhibit related to the culture of Amherst which was sponsored by the Historic Commission in the 1980â€™s.&#13;
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