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                  <text>John L. Lovell (1825-1903) was a professional photographer. He came to Amherst in 1856 and established the Amherst Picture Gallery, the first photographic studio in Western Massachusetts. In addition to studio work, Lovell was interested in scientific photography, accompanying an Amherst College astronomical team to California in 1882, as well as photographing Connecticut Valley geological features.&#13;
&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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                <text>This digital file may be used for educational purposes, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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 &#13;
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Amherst (Mass.)</text>
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            <name>Creator</name>
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                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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 &#13;
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Amherst (Mass.)&#13;
Holyoke (Mass.)</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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                  <text>John L. Lovell (1825-1903) was a professional photographer. He came to Amherst in 1856 and established the Amherst Picture Gallery, the first photographic studio in Western Massachusetts. In addition to studio work, Lovell was interested in scientific photography, accompanying an Amherst College astronomical team to California in 1882, as well as photographing Connecticut Valley geological features.&#13;
&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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                <text>View of the Sunderland Bridge and Connecticut River with Mount Sugarloaf in the background.</text>
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                <text>This digital file may be used for educational purposes, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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                  <text>Edgar Scott (1857-1940) was a photographer and printer in the Amherst and Northampton areas. He was born on Marthaâ€™s Vineyard and, as an Amherst resident, worked in a local hat factory. He took up photography in retirement and was an originator of the picture postcard. He specialized in photographic views of architecture and social events around the Amherst area around the turn of the century. &#13;
 &#13;
The bulk of the images are from about 1897 to approximately 1924. Many of his postcards have color applied to them. Beyond the images digitized here, the collection at the Scott Collection at the Jones library includes 157 5 x 7 in. glass plate negatives; 44 5x7 in. nitrate negatives; over 200 prints; c.350 picture postcards (no negatives for postcards).</text>
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                <text>View of the Sunderland Bridge and Sugarloaf mountain seen from the rive rbank. </text>
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              <elementText elementTextId="61043">
                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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                <text>A white pedestal with a sundial on top standing in a garden with flowers growing  around it. A wooden decorative fence stands in the middle ground with trees growing behind it.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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                <text>From the Clifton Johnson Collection</text>
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            <name>Identifier</name>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="80321">
                <text>A view of a two story mansion with crow-step gables and wisteria covered walls. Multiple chimneys top the house. Trees grow behind the house and two trees frame the photograph.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="80322">
                <text>Johnson, Clifton, 1865-1940</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="80323">
                <text>Image from page 82 of What to See in America by Clifton Johnson, 1919</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="80324">
                <text>Jones Library Special Collections</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="80325">
                <text>undated</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="80326">
                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="80327">
                <text>From the Clifton Johnson Collection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="55">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="80328">
                <text>Photographs</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="80329">
                <text>CJ2972</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
