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                  <text>Clifton Johnson (1865-1940) of Hadley, Massachusetts was an accomplished literary figure with some 125 published books and countless magazine and newspaper articles to his credit. A friend of William Dean Howells and John Burroughs, he was an acquaintance of many other late 19th and early 20th century authors and editors. Johnson was a self-styled folklorist, an illustrator, photographer, author, and editor.</text>
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                <text>Two horses hitched to a wagon stand in the middle of a street front of "The Ship Inn" with other town buildings and houses around. Two men and a dog stand near the wagon.</text>
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                <text>Image from opposite page 36 of Lorna Doone by R.D. Blackmore, 1900</text>
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                <text>From the Clifton Johnson Collection</text>
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                  <text>John L. Lovell (1825-1903) was a professional photographer. He came to Amherst in 1856 and established the Amherst Picture Gallery, the first photographic studio in Western Massachusetts. In addition to studio work, Lovell was interested in scientific photography, accompanying an Amherst College astronomical team to California in 1882, as well as photographing Connecticut Valley geological features.&#13;
&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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                <text>Looking north across the portico of Johnson Chapel. There are students lounging on the steps and against trees.</text>
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                <text>This digital file may be used for educational purposes, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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                <text>Portion of a sandbag flood bulwark</text>
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                <text>A view of a number of sandbags with some poles helping them stand in place.</text>
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                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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                <text>From the Clifton Johnson Collection</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Photograph of Clifton Johnson, at age 53, sitting with his arms crossed and resting on a table.</text>
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            <name>Publisher</name>
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            <elementTextContainer>
              <elementText elementTextId="40923">
                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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                <text>Portrait of Dr. Charles Eastman</text>
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                <text>Portrait photograph of Dr. Charles Eastman in traditional dress. Photograph was probably taken by Frank Waugh</text>
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Indians of North America</text>
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                <text>Jones Library Special Collections</text>
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          <element elementId="51">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47330">
                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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                <text>from the Charles Eastman Collection</text>
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&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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                <text>Lovell, John L., 1825-1903</text>
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                <text>1871</text>
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              <elementText elementTextId="4972">
                <text>Portrait of a member of the Amherst College class of 1871.</text>
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            <name>Publisher</name>
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                <text>Jones Library Special Collections</text>
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                <text>Is part of the John Lovell Photograph Collection. Jones Library Special Collections</text>
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          <element elementId="51">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8278">
                <text>This digital file may be used for educational purposes, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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          <element elementId="54">
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            <description>A name given to the resource</description>
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                <text>E.H. Redstone, 6/1948</text>
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          <name>Original Format</name>
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          <element elementId="54">
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                <text>Portrait of Frazar Stearns in military uniform</text>
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                <text>Portrait of Frazar Stearns shortly before he was killed in the battle of Newbern. The photograph was for his parents (Amherst College President William A. Stearns and Rebecca Alden Frazar Stearns) as the signature underneath reads, "Your affec. son, Frazar A. Stearns."&#13;
&#13;
Emily Dickinson wrote a letter to her Norcross cousins in which she states "brave Frazar, killed at Newbern...his big heart shot away by a 'minie ball.'"</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35158">
                <text>This digital file may be used for educational purposes, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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                <text>Folder: Stearns, Frazar A.</text>
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