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                  <text>John L. Lovell (1825-1903) was a professional photographer. He came to Amherst in 1856 and established the Amherst Picture Gallery, the first photographic studio in Western Massachusetts. In addition to studio work, Lovell was interested in scientific photography, accompanying an Amherst College astronomical team to California in 1882, as well as photographing Connecticut Valley geological features.&#13;
&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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                <text>View of Paige's Livery Stable, next to the Amity Street School, with horses, employees, and the Amherst House stagecoach with driver. This building became the Amherst Theater. Stated in The Village of Amherst, a Landmark of Light, by Frank Prentice  Rand, "The Paige livery, conducted by Theodore, his son Melrose, and always the genial "Bill" Casey, maintaining as many as sixty-five horses at one time, continued to serve townsmen and students until 1921."</text>
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&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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&#13;
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&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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&#13;
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&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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&#13;
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&#13;
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Paradise Pond</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Northampton (Mass.)&#13;
Smith College</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A view of Paradise Pond at Smith College from the shadow of trees which frame the photograph. The Smith College Boathouse and Crew House can be seen across the pond. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="49132">
                <text>Johnson, Clifton, 1865-1940</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Jones Library Special Collections</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>undated</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49135">
                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>From the Clifton Johnson Collection</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photographs</text>
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          <element elementId="47">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="49138">
                <text>CJ2337</text>
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        <src>https://digitalamherst.org/files/original/lov1047_65b774ca5d.jpg</src>
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            <name>Omeka Image File</name>
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                <name>Width</name>
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                <name>Height</name>
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                <name>Channels</name>
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                <name>IPTC Array</name>
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                    <text>a:1:{s:5:"2#000";a:1:{i:0;s:2:"��";}}</text>
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            <element elementId="54">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>John L. Lovell Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>John L. Lovell (1825-1903) was a professional photographer. He came to Amherst in 1856 and established the Amherst Picture Gallery, the first photographic studio in Western Massachusetts. In addition to studio work, Lovell was interested in scientific photography, accompanying an Amherst College astronomical team to California in 1882, as well as photographing Connecticut Valley geological features.&#13;
&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
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              <text>Photograph</text>
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          <name>Condition</name>
          <description>Optional: Briefly describe the physical condition of the item if notable: i.e. good, fair, damaged, missing parts, etc.</description>
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              <text>poor</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Park and college in Amherst, Massachusetts</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Stereographs&#13;
Amherst (Mass.)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Looking south across the fenced Town Common toward Amherst College. Written on verso: "Common enclosed with fence 1860 -- see Hampshire Franklin Express 6/15/1860 p.2."</text>
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          <element elementId="43">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Lovell, John L., 1825-1903</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="18269">
                <text>Jones Library Special Collections</text>
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            <name>Date</name>
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                <text>Circa 1865</text>
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          <element elementId="51">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18271">
                <text>This digital file may be used for educational purposes, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Is part of the John Lovell Photograph Collection. Jones Library Special Collections</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>image/jpeg</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>LOV1047</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photographs</text>
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        <name>1860s</name>
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        <name>Amherst College</name>
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        <name>Town Common</name>
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