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                  <text>Joel Martin Halpern (1929- ) has lived in Amherst since 1967 when he became a professor in the Anthropology Department at the University of Massachusetts. He has traveled widely and conducted extensive field research, including photographic documentation, of cultures in many countries. In accordance with his interest in visual anthropology, Halpern has taught courses on culture and film, exhibited his own photographs, and prepared documentary films.&#13;
&#13;
The Halpern Photograph Collection consists of images, taken since 2005, of the landscape, architecture, and culture of Amherst and its neighboring towns. This is a growing collection of over 1,000 digital images.&#13;
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                <text>Looking north on North Pleasant Street with a view of CVS, Roberts Block and St. Brigid's Catholic Church.</text>
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                <text>Rights held by Joel M. Halpern</text>
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&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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 &#13;
The bulk of the images are from about 1897 to approximately 1924. Many of his postcards have color applied to them. Beyond the images digitized here, the collection at the Scott Collection at the Jones library includes 157 5 x 7 in. glass plate negatives; 44 5x7 in. nitrate negatives; over 200 prints; c.350 picture postcards (no negatives for postcards).</text>
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            <elementTextContainer>
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                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library</text>
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            <description>A language of the resource</description>
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                <text>Flood surrounded barn in Hockanum and the flooded Connecticut River seen from a field. A house nearer the camera is just high enough not to be flooded. Normal banks of the Connecticut river are usually delineated by the two rows of trees just to the right of the barn. Beyond the trees is the flooded Northampton Meadows.</text>
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                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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Anthony Martin (John's son, born in 1969) is a photographer and a teacher. He took up photography as a teenager after having watched his father take architectural photos of buildings and gardens. While his father often focused on the larger context of people interacting in social spaces, Anthony preferred to explore formal aspects of shape, pattern, and contrasts of light and dark. &#13;
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                <text>Rights held by John H. Martin</text>
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