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Connecticut River&#13;
Bridges -- Massachusetts -- West Springfield&#13;
Roads -- Massachusetts -- West Springfield</text>
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                <text>A man sits by a pair of grand stone columns on the left end of a bridge. Conecticut River flows in the middle ground and a tree-lined street stretches out on the left along the river with some cars driving on it.Foreground road has trolley tracks in it. </text>
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                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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                <text>From the Clifton Johnson Collection</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                  <text>John L. Lovell (1825-1903) was a professional photographer. He came to Amherst in 1856 and established the Amherst Picture Gallery, the first photographic studio in Western Massachusetts. In addition to studio work, Lovell was interested in scientific photography, accompanying an Amherst College astronomical team to California in 1882, as well as photographing Connecticut Valley geological features.&#13;
&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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                  <text>Photographs of local people and events taken for use in the Amherst Record newspaper. About 14,000 prints covering the late 1960's to early 1984. </text>
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                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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        <name>Architecture</name>
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            <element elementId="54">
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&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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            <name>Identifier</name>
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          <element elementId="51">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="8551">
                <text>This digital file may be used for educational purposes, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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            <name>Subject</name>
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Hadley (Mass.)</text>
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            <description>A name given to the resource</description>
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                <text>North Hadley cemetery</text>
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            <element elementId="54">
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                  <text>Clifton Johnson (1865-1940) of Hadley, Massachusetts was an accomplished literary figure with some 125 published books and countless magazine and newspaper articles to his credit. A friend of William Dean Howells and John Burroughs, he was an acquaintance of many other late 19th and early 20th century authors and editors. Johnson was a self-styled folklorist, an illustrator, photographer, author, and editor.</text>
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Villages -- Massachusetts -- Leverett&#13;
Roads -- Massachusetts -- Leverett</text>
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                  <text>John L. Lovell (1825-1903) was a professional photographer. He came to Amherst in 1856 and established the Amherst Picture Gallery, the first photographic studio in Western Massachusetts. In addition to studio work, Lovell was interested in scientific photography, accompanying an Amherst College astronomical team to California in 1882, as well as photographing Connecticut Valley geological features.&#13;
&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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