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                  <text>Clifton Johnson (1865-1940) of Hadley, Massachusetts was an accomplished literary figure with some 125 published books and countless magazine and newspaper articles to his credit. A friend of William Dean Howells and John Burroughs, he was an acquaintance of many other late 19th and early 20th century authors and editors. Johnson was a self-styled folklorist, an illustrator, photographer, author, and editor.</text>
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                <text>A view of Niagara Falls from a viewing platform. A bench and a tree are in the foreground and a second platform is further up on the right. An arched steel bridge crosses the water on the left, partly obscured by the tree in the foreground.</text>
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                  <text>John L. Lovell (1825-1903) was a professional photographer. He came to Amherst in 1856 and established the Amherst Picture Gallery, the first photographic studio in Western Massachusetts. In addition to studio work, Lovell was interested in scientific photography, accompanying an Amherst College astronomical team to California in 1882, as well as photographing Connecticut Valley geological features.&#13;
&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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&#13;
"There were parties to watch the rare night-blooming cereus unfold. It was not so uncommon in Amherst as in other places because of the Agricultural College. I recall one such occasion when a night-blooming cereus was sent us by Miss Greeley from Professor Crowell's home. We filled a large white china salad bowl with ice and put the flower in it at nine o'clock. The neighbors came in, a party of twelve, and at ten the flower began to open. For three hours it showed in all its glory. The next morning it was withered and dead."   From "Around a Village Green" by Mary Adele Allen.&#13;
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                  <text>John Martin moved to Amherst in 1967 and began teaching at the University of Massachusetts. He is an environmental designer, professionally registered in architecture and landscape architecture. His interests extend to photography, art, and environmental history, all of which he taught at the University.  He has been associated with various organizations in Amherst including the Historic Commission, the Planning Board, and the Emily Dickinson Museum. &#13;
&#13;
Anthony Martin (John's son, born in 1969) is a photographer and a teacher. He took up photography as a teenager after having watched his father take architectural photos of buildings and gardens. While his father often focused on the larger context of people interacting in social spaces, Anthony preferred to explore formal aspects of shape, pattern, and contrasts of light and dark. &#13;
&#13;
This collection consists of over 200 photographs, taken in the 1980s, of buildings, architectural details, landscapes, and community events in Amherst. Most of the photos taken by Anthony were taken at a time when he was enrolled in photography courses at Amherst Regional High School. The images reflect his attempt to reconcile conventional ways of seeing with those of the avant-garde and surreal.  The images captured by John reflect his interest in documenting landscape, architectural design, and community events.  Many of the photographs were used in an exhibit related to the culture of Amherst which was sponsored by the Historic Commission in the 1980â€™s.&#13;
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                <text>View up Main Street toward Town Hall and the central business district at night.</text>
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                <text>Jones Library Special Collections</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Rights held by Anthony Martin</text>
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                <text>MAR0126</text>
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                  <text>Clifton Johnson (1865-1940) of Hadley, Massachusetts was an accomplished literary figure with some 125 published books and countless magazine and newspaper articles to his credit. A friend of William Dean Howells and John Burroughs, he was an acquaintance of many other late 19th and early 20th century authors and editors. Johnson was a self-styled folklorist, an illustrator, photographer, author, and editor.</text>
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            <description>A name given to the resource</description>
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                <text>No trespassing tree</text>
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                <text>United States -- Massachusetts&#13;
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A tree in a forest with a no trespassing sign and wire fence. A caption reads: A warning posted on the borders of woodland that contains numerous oil wells.</text>
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            <name>Creator</name>
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                <text>Johnson, Clifton, 1865-1940</text>
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                <text>undated</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="64646">
                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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                <text>CJ0600</text>
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                <name>Bit Depth</name>
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                <text>This digital file may be used for educational purposes, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="54">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>John L. Lovell Collection</text>
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            <element elementId="45">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="35715">
                  <text>John L. Lovell (1825-1903) was a professional photographer. He came to Amherst in 1856 and established the Amherst Picture Gallery, the first photographic studio in Western Massachusetts. In addition to studio work, Lovell was interested in scientific photography, accompanying an Amherst College astronomical team to California in 1882, as well as photographing Connecticut Valley geological features.&#13;
&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="34699">
              <text>Photograph</text>
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          <name>Condition</name>
          <description>Optional: Briefly describe the physical condition of the item if notable: i.e. good, fair, damaged, missing parts, etc.</description>
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            <elementText elementTextId="34702">
              <text>fair</text>
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        <name>Dublin Core</name>
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          <element elementId="54">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="34687">
                <text>North Amherst mill and pond</text>
              </elementText>
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          </element>
          <element elementId="53">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="34688">
                <text>Mills and mill-work&#13;
Stereographs&#13;
Amherst (Mass.)</text>
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          <element elementId="45">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>View of a mill, dam, and pond at Puffers Pond in North Amherst. Written on verso: "Paper mill No. Amherst. "</text>
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          <element elementId="43">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Lovell, John L., 1825-1903</text>
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          <element elementId="49">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="34691">
                <text>Jones Library Special Collections</text>
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          <element elementId="44">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="34692">
                <text>Circa 1875</text>
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          <element elementId="51">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="34693">
                <text>This digital file may be used for educational purposes, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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          </element>
          <element elementId="50">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="34694">
                <text>Is part of the John Lovell Photograph Collection. Jones Library Special Collections</text>
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          <element elementId="46">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="34695">
                <text>image/jpeg</text>
              </elementText>
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          <element elementId="48">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="34696">
                <text>English</text>
              </elementText>
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          <element elementId="47">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="34697">
                <text>LOV1091</text>
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          <element elementId="55">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="44365">
                <text>Photographs</text>
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        <name>Additional Item Metadata</name>
        <description>The additional item metadata element set, consisting of all item elements created by an administrator and not assigned to an item type, and item elements created by plugins and not assigned to an item type or other element set. Additionally, the metadata element set that, in addition to the Dublin Core element set, was included in the `items` table in previous versions of Omeka. These elements are common to all Omeka items.</description>
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          <element elementId="59">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="34698">
                <text>G.C.</text>
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      <tag tagId="14">
        <name>1870s</name>
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      <tag tagId="47">
        <name>Business Industry and Transportation</name>
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      <tag tagId="126">
        <name>Cushman</name>
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      <tag tagId="160">
        <name>Mills</name>
      </tag>
      <tag tagId="48">
        <name>North Amherst</name>
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