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Anthony Martin (John's son, born in 1969) is a photographer and a teacher. He took up photography as a teenager after having watched his father take architectural photos of buildings and gardens. While his father often focused on the larger context of people interacting in social spaces, Anthony preferred to explore formal aspects of shape, pattern, and contrasts of light and dark. &#13;
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            <elementTextContainer>
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The bulk of the images are from about 1897 to approximately 1924. Many of his postcards have color applied to them. Beyond the images digitized here, the collection at the Scott Collection at the Jones library includes 157 5 x 7 in. glass plate negatives; 44 5x7 in. nitrate negatives; over 200 prints; c.350 picture postcards (no negatives for postcards).</text>
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His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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                <text>View east down Main Street with the First Congregational Church in the background. Note the sign advertising oysters at the restaurant: Fresh oysters in every style, to order. </text>
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&#13;
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&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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                <text>Johnson, Clifton, 1865-1940</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Image from opposite page 7 of Along French Byways by Clifton Johnson, 1900.</text>
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            <name>Publisher</name>
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                <text>Jones Library Special Collections</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>undated</text>
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          <element elementId="51">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="70595">
                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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          <element elementId="50">
            <name>Relation</name>
            <description>A related resource</description>
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                <text>From the Clifton Johnson Collection</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photographs</text>
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          <element elementId="47">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CJ1092</text>
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