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&#13;
My dear Brother,&#13;
&#13;
You have doubtless seen ere this will reach you the full particulars of our great fight, and as I do not feel in a writing mood I shall not go into details, but merely state a few facts to you which will be likely to be kept in the dark by those in high position. Our whole army fell back some fifteen miles from the advance we first made, and on the bluffs of Sugar Creek made preparations to receive the enemy if he advanced, and if we found they were in too heavy force for us, we had the way open to fall back. Imagine our surprise when, on the morning of the 7th of March at about 10 o'clock, it was found the enemy had thrown their whole force into our rear and on our right. The truth is we had been entirely outgeneraled and were forced to fight a vastly superior force and to whip them or surrender. By a train of circumstances which seem little less than miraculous, and the unflinching valor of our troops, we accomplished the former against odds of three to one. What I consider gained the day for us was the killing of McCulloch and McIntosh the afternoon of the first day, by our Brigade in its encounter with their forces and the Indians under Pike and Ross. When they were killed, their troops were thrown into confusion and their reserve which amounted to some thousands failed to come up, leaving our boys victors. Meanwhile Price had been fighting Carr directly in our rear and had been gaining ground all day, having taken three of our cannon. So the first day closed. Our boys bivouacked on the field they had so dearly won. Towards morning it was found that the forces our Division had met and routed had left their portion of the field (since ascertained that, discouraged by the loss of their generals, they had all retreated in the night) leaving us Van Dorn and Price to fight the next day with our whole force, which we did and after a hard fight of four hours completely whipped them at all points. Had we been obliged to fight their whole combined army the second day we should have had a terrible tough time of it.</text>
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&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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&#13;
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&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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                <text>Group portrait of a class on the steps of a school. Jennie L. Cowles taught at First Intermediate School in Amherst for many years after graduating from Amherst High School in 1871; she stopped teaching in 1885. Students listed on verso of photograph are: Mary Martin, Howard Merritt, Mary McGrath, Cora Porter, Alice Shine, Katie Scannell, Sadie Eaton, Katie Powell, Bessie Ashcraft, Minnie Graves, Fannie Russell, Robert Smith, Arthur Brainerd, Nellie Mckenna, Fannie White, Ida J. Russell, Ollie Pease. </text>
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