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                  <text>Lincoln W. Barnes (1879-1966), born in Wayne County, Pennsylvania, was a professional photographer with a studio on Main Street in Amherst from 1920 to about 1955. He also copied and restored old photographs and was an official photographer for Amherst College.&#13;
&#13;
The Barnes Photograph Collection documents architecture of Amherst and surrounding towns, including the building of the Jones Library. He also photographed local residents and their homes, local clubs and organizations, and local events such as the Hurricane of 1938.</text>
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                <text>The Amherst House Block stood at the corner of South Pleasant and Amity Streets. The Amherst House Hotel was in operation on the upper levels and a number of businesses were located on the street level. Note the Jones Library signs on the second floor. The Jones Library rented rooms here from 1921 through 1926. This building burned to the ground in December of 1926.&#13;
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The two additional images present close-up views of men loitering in front of some of the businesses.</text>
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                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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                  <text>John Martin moved to Amherst in 1967 and began teaching at the University of Massachusetts. He is an environmental designer, professionally registered in architecture and landscape architecture. His interests extend to photography, art, and environmental history, all of which he taught at the University.  He has been associated with various organizations in Amherst including the Historic Commission, the Planning Board, and the Emily Dickinson Museum. &#13;
&#13;
Anthony Martin (John's son, born in 1969) is a photographer and a teacher. He took up photography as a teenager after having watched his father take architectural photos of buildings and gardens. While his father often focused on the larger context of people interacting in social spaces, Anthony preferred to explore formal aspects of shape, pattern, and contrasts of light and dark. &#13;
&#13;
This collection consists of over 200 photographs, taken in the 1980s, of buildings, architectural details, landscapes, and community events in Amherst. Most of the photos taken by Anthony were taken at a time when he was enrolled in photography courses at Amherst Regional High School. The images reflect his attempt to reconcile conventional ways of seeing with those of the avant-garde and surreal.  The images captured by John reflect his interest in documenting landscape, architectural design, and community events.  Many of the photographs were used in an exhibit related to the culture of Amherst which was sponsored by the Historic Commission in the 1980â€™s.&#13;
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                <text>Munson Memorial Library entrance</text>
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Amherst (Mass.)</text>
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                <text>Entrance to the Munson Memorial Library building shaded by a large maple tree.</text>
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                <text>Martin, John H.</text>
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                <text>Rights held by John H. Martin</text>
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                <text>Is part of the John H. and Anthony Martin Photograph Collection, Jones Library Special Collections</text>
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                  <text>Joel Martin Halpern (1929- ) has lived in Amherst since 1967 when he became a professor in the Anthropology Department at the University of Massachusetts. He has traveled widely and conducted extensive field research, including photographic documentation, of cultures in many countries. In accordance with his interest in visual anthropology, Halpern has taught courses on culture and film, exhibited his own photographs, and prepared documentary films.&#13;
&#13;
The Halpern Photograph Collection consists of images, taken since 2005, of the landscape, architecture, and culture of Amherst and its neighboring towns. This is a growing collection of over 1,000 digital images.&#13;
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                <text>East side view of the North Amherst Library from across Montague Road.</text>
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                <text>Rights held by Joel M. Halpern</text>
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&#13;
The Barnes Photograph Collection documents architecture of Amherst and surrounding towns, including the building of the Jones Library. He also photographed local residents and their homes, local clubs and organizations, and local events such as the Hurricane of 1938.</text>
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                <text>Photograph taken from in front of the Whipple House on North Pleasant Street. The Jones Library operations moved into this house two days after the disastrous fire that destroyed the Amherst House  in December of 1926. The elliptical window (barely visible) on the house was incorporated into the new Jones Library building. Note the Jones Library sign on the front of the house. The Whipple House was razed to make room for construction of the new fire station. &#13;
&#13;
Seen in the background is the recently constructed Jones Library building. The cornerstone for this building was a 900 pound slab salvaged from the Amherst House and was laid on October 19, 1927. </text>
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                <text>Barnes, Lincoln W., 1879-1966</text>
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          <element elementId="51">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25911">
                <text>This digital file may be used for educational uses, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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                <text>Is part of the Lincoln Barnes Photograph Collection, Jones Library Special Collections</text>
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            <element elementId="54">
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                  <text>John L. Lovell (1825-1903) was a professional photographer. He came to Amherst in 1856 and established the Amherst Picture Gallery, the first photographic studio in Western Massachusetts. In addition to studio work, Lovell was interested in scientific photography, accompanying an Amherst College astronomical team to California in 1882, as well as photographing Connecticut Valley geological features.&#13;
&#13;
His photos provide the best visual documentation from the 1860s to the 1890s of the successive transitions Amherst made from an agricultural town, to an industrial one, and finally, to a town known chiefly for its educational institutions. Moreover, Lovellâ€™s images provide the best visual available documentation of Emily Dickinsonâ€™s community. Early images of the Dickinson houses, the streets, shops, and businesses the family knew intimately â€“ all are found within this very important collection.&#13;
&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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                <text>Pelham granite and Longmeadow sandstone were used in the construction of this chapel, which was dedicated in 1886. The architect was Stephen C. Earle of Worcester. The college library operated on the first floor and the chapel on the second.</text>
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                <text>This digital file may be used for educational purposes, as long as it is not altered in any way. Prior written permission is required for any other use of the digital files from the Jones Library.</text>
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&#13;
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&#13;
John L. Lovell Collection (ca. 1860s â€“ ca. 1890s) can be seen in its entirety at the Jones Library. It includes negatives; 59 stereopticon views of Amherst; 40 cartes de visite; and 1200 prints. The collection includes the first surviving photos of Amherst. Subjects include Amherst and the Connecticut Valley, especially architecture, businesses, construction, etc. Biographical reviews in local newspapers of the day; advertisements for his business and other materials accompany the photographs. The cartes de visite are significant because of extensive collateral material in the manuscript collection.</text>
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&#13;
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&#13;
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